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My Own
Correspondence with Steve Manning, and My Review of His "Write a Book
in Fourteen Days" Course
The following are the e-mails I received from Steve Manning, and my
responses. I am posting them, because these e-mails led to Mr. Manning
sending me a free copy of his Write a Book in Fourteen Days course to
evaluate. My review of the course is posted at the bottom of this page.
From: steve@writeabooknow.com
Date: Sun Dec 21, 2003 6:47:21 PM US/Eastern
To: [withheld] @hollylisle.com
Subject: www.HollyLisle.com - Site Response
Mail send on 21 Dec 2003 - 17:47:21 CST
By CPE00105aa42502-CM0f1119822610.cpe.net.cable.rogers.com (24.100.161.60)
Using: Windows 98 - Internet Explorer 6
Hi Holly!
Thank you, thank you, thank you. It sounds stupid, but your vigilance
is very important to me. I read that 'BJ' did not get her refund from
me. I have
corrected that. BJ received the refund in early December. As I said in
the email I sent
to her, I have plenty of reasons, but no excuses. Should anyone else contact
you saying they did not get their refund, please insist that they contact
me at steve@writeabooknow.com Their
refund will be processed immediately.
Cheers,
Steve Manning
From: Holly Lisle <[withheld] @hollylisle.com>
Date: Mon Dec 22, 2003 5:50:19 AM US/Eastern
To: steve@writeabooknow.com
Subject: Re: www.HollyLisle.com - Site Response
Dear Steve,
She sent me the news that she got her refund, which I also posted.
I also posted the positive notes from the guy who liked what he got
in your package.
I don't believe the claims your advertising makes about your product,
but my attempt, since people kept asking about your program, is to
simply present what people tell me about their experiences with it.
Both sides.
All best,
Holly Lisle
From: <address withheld (Manning's private e-mail address>
Date: Mon Dec 22, 2003 8:24:14 AM US/Eastern
To: Holly Lisle
Subject: Re: Re: www.HollyLisle.com - Site Response
Hi Holly!
Thank you so much for your prompt reply. If you'll send
along your mailing address, I'll send you a complimentary copy of my
product.
You can review it, or at least have it on hand should you like
to review it in future.
Cheers,
Steve Manning
From: Holly Lisle <withheld>
Date: Mon Dec 22, 2003 8:46:15 AM US/Eastern
To: <private e-mail withheld>
Subject: Re: www.HollyLisle.com - Site Response
Dear Steve,
Since I didn't pull any punches reviewing your advertising, it would
be unfair of me to not look at the product. However, I'm not your
target demographic -- I've sold 25 novels to major publishers and
my review
of a product that claims to be able to allow anyone, no matter
what their writing level, get an agent and sell a book is going
to be
severely hampered by the fact that I'm not starting out with writing
burdened
by barely comprehensible sentence structure, complete absence of
any idea of what makes a story interesting, and all the other horrific
flaws that I see in most beginning writers. Even if I got some
great pointers from the program, my review would be that of a professional
building on already-present skills, and not of a beginner with
no
clue
of where to begin. My review would note the fact that I'd consider
my experience with the program atypical.
I'd also be reviewing it strictly for its value to novelists --
novels are my area of experience, and would-be novelists make
up the bulk
of non-fan e-mails that I receive. I'm not qualified to evaluate
its worth for writers of non-fiction.
If, keeping those two points in mind, you'd still like to send
me a copy, I'll review it to the best of my ability.
All best,
Holly Lisle
My Review of:
How to Write a Book on Anything in Fourteen Days or Less ... Guaranteed:
An Expert's Guide
Is the course a scam? Well, the course does not deliver what the web
site would lead you to believe it will deliver (a publishable book in
fourteen days), but if you send off your
money, you will receive in the mail a course that
is
in
fact
about
writing and does purport to teach you how to write a book in fourteen
days. Whether you get your money's worth is something I cannot decide
for you.
And
according
to most of the folks who write to me, Manning honors his money-back
guarantee. So while I wouldn't call this course a risk-free investment,
I would, based on admittedly limited data, classify it as relatively
low-risk, if you can afford to have that amount of money tied up for
about a year.
Please understand, though, that this course does not intend to teach
you to write a publishable book. Not in fourteen days.
Not ever. At the very back of the manual, Manning writes:
"The primary purpose of this book is to teach
one how to write in the easiest and most effective way possible, and
in the shortest amount of time. It has never been the purpose
of the authors to teach others how to get published." (emphasis
mine -- HL)
But the lure of agents and publishers jumping on your just-completed
manuscript is one of the real hard-sells on the writeabook site. I personally
think this we-don't-intend-to-teach-you-to-write-something-salable information
should be on the front page of Manning's web site and
at
the very front
of the
course.
Because I suspect that when most people shell out several hundred
bucks on
a book-writing course, they want to learn how to write books they
can sell.
That is not what this course is about. Furthermore, this course
WILL NOT teach you how to write a publishable book, and if you follow
Mannings
instructions exactly, you will write an UNpublishable book.
Does the course deliver on what it says in the small print that it's
about? Can you write any
book in fourteen days if you follow the instructions in the course?
To misquote an impeached ex-president ... define "write a book."
My definition of writing a book is doing everything that it takes
to create a completed manuscript, from start to finish, in the time
allotted. By that definition, no, you will not write your book in fourteen
days using Manning's method.
Manning's definition of writing a book is "create a rough, unedited
first draft." It does not include the outlining and backgrounding
time, which is significant -- you'll spend easily as long at the book
prep as in writing the first draft, and perhaps longer. Nor does
the allotted fourteen days include any form of editing. (Manning's
suggested form of editing,
by the way, will not help you make your manuscript publishable, or
anything close.) By Manning's definition, though, if you follow Manning's
guidelines, can you write a book
in fourteen
days?
Sometimes.
Depends
on the length
of
the book,
your determination to stick with it, and the amount of time you have
available. It isn't impossible. But then, I know that writing a whole, publishable novel
from start to finish including revision and preliminary work in
fourteen
days
isn't
impossible, either. It's simply very difficult.
How long will it take for you to go from nothing on paper to finished
manuscript if you use Manning's method precisely? A minimum of about
a month. Significantly longer in a lot of cases.
And what do I think of Manning's course?
His methods don't work for me. I followed his "writing
machine" technique exactly as he presented it. It actually slowed
down and disrupted my writing. And the method wouldn't work for any novelist
who is already able to write in flow -- who is, in other
words,
able
to sit down at computer or typewriter or pad of paper paper and lose
himself in the story for an hour or several hours. Currently, writing
in flow,
I am
comfortably
producing 3000-4000 words (fifteen to twenty typed, formatted pages)
of close-to-finished first draft text in a couple of hours. Using Manning's
method, a timer
went off
every
five minutes, shattering my flow and ending my work on that section
of the story. Working by this method also completely eliminated spontaneous
alterations of outlines to pursue different paths, something that after
more than twenty published novels (my
current bibliography is here),
I've discovered is essential to my creation of the best possible book.
Manning requires rigid and unthinking adherence to an outline. He is
utterly derisive of the novel-writing process as most successful novelists
experience it. He states:
"There
are those authors who will tell you that the book just wrote
itself. (Also known as "writing in flow" -- HL) If
this were the case, then what these folks should do is simply put a
ream of paper on the kitchen table, with a couple of pens, and then
go on
vacation for a couple of weeks. When they return, not only will the
elves have made new shoes for them and the members of their family,
but the manuscript will also have been written.
He also says:
"There are others who will say that the characters wrote
the book. They took over the whole process of writing. Frankly, I think
these people
have
bigger problems than I can help them with."
The fact is, whether Manning chooses to acknowledge it or not, writing in flow
is not some mythical Holy Grail of Writing, but the way many -- if not most
-- full-time professional novelists work. And having characters "come alive" and
take
over
sections of the story, if not the whole process, is very much a part of that
process. Though his attempt at psychoanalysis is, you must admit, interesting.
Manning's attitude in regard to fiction written by any other method than
the one
he presents is
pervasive
throughout
the
course.
Are Manning's methods entirely worthless? Probably not. Just as no single
pair of shoes will fit every pair of feet, no
single method of writing will
produce
books for every writer. Some writers out there
may find the methods in this course useful. I think very
few who use this method
to write fiction will produce anything salable with it. I suspect
it may
be marginally
more useful for writers of non-fiction, but I am not in a position
to state that as a fact. I'm not a professional non-fiction writer.
Is there anything good in Manning's course? Yes. Some of the advice Manning
offers is good advice. He sounds like a genuinely nice person, too, and
is enthusiastic
about the subject he's presenting. I found him an engaging speaker, if
a bit breathless -- sort of "Tony Robbins on speed." On the other
hand, some of his advice is bad advice. And some of what he presents
as
absolute
fact
is
absolutely
wrong. Unless you're already writing books for a
living,
you're
going
to
have
a hard
time
telling
which
is which, because no matter whether he's presenting the good stuff, the
bad stuff, or the wrong stuff, he's warm and friendly and engaging.
This course contains critical factual errors regarding manuscript
production and manuscript editing. If
you follow Manning's instructions to the letter, you will produce a
manuscript that fails to conform to professional industry standards,
and commercial publishers
and agents will bounce your book out the door unread. So if you
buy the course, you are
still going
to have to read the guidelines for any publishers or agents to whom
you hope to submit your work, plus a couple of good books by people
who write novels for a living.
Finally, let me present what I consider the most representative
couple of passages in the course. In a section titled How
to become the world's foremost authority on any topic!,
Manning writes:
"Now I want to show you how you can easily become the world's
foremost authority on a subject, even if you're starting from
ground zero, or a limited amount of your own information."
You are to go out and select the single most recent title on your chosen
topic of would-be expertise written by each of the ten people you consider
the top ten experts in the field (remembering, please, that you don't
know much of anything about this field, and so are not qualified to judge
who knows what he's talking about and who is full of hot air -- you're
going to choose these books by which ones sold the best, I guess). You
are to read all ten of these books, making notes only on
the parts
of
these
works that are new material to you, skimming past those you already
know. (It is my experience that it is in the area of things that
you think you know that you will make your most stunning
mistakes, and this is, in fact, where Manning fell afoul of his own process
in creating this course.) In any case, once you have done this, he
says:
"Once you've studied this information, digested it and have
it at your fingertips, you're the 11th leading authority
in the field. Now
it's time to become #1. Take a look at what has already been written
and
simplify
it." (Boldface mine -- HL ... I'm all jazzed to take a week
off from writing to become the world's foremost authority on quantum
physics and superstring theory. How about you?)
By doing so, he suggests -- by simplifying ten recent books
by ten experts in the field as identified by you, who don't know the
field -- you have made yourself the
world's
number one authority on your chosen topic.
He also
suggests
you
cobble
together
a couple of acronyms for various steps
of whatever
process
you've just
become
a self-proclaimed
expert
on and
call
these acronyms a technology, so that you can claim to be the sole
originator of this unique technology, which is in fact a repackaging
of what other people are doing already.
In the Write a Book in Fourteen Days course, it is quite evident
that Manning followed his own advice every step of the way, and that
he
bases
his own credentials
as a writing expert on this approach . He believes in it, and
every page of the manual and every hour of
his
lectures
is
permeated
with
this
philosophy and its results.
If you like this advice and you would feel comfortable becoming
an expert by this method, nothing else in the course
will bother you, and you'll probably consider your money
well spent.
If you see flaws in this method, do not buy the course.
Could I recommend the course to anyone? No. But then, no single pair
of shoes will fit every pair of feet. Only you can know whether Manning's
shoes were designed for you.
My final say on the matter: You'll
find my opinion of experts vs. working professionals here. In spite
of the fact that the article topic is college education for writers,
the discussion of experts vs. professionals is completely
relevant to this review as well. The difference is that colleges claim
that having a degree makes you an expert, and Manning claims that having
written a book about a subject makes you an expert. Neither considers
actual work experience relevant.
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